Deeper Roots Radio Podcast dr1n

Jazz, rhythm and all the very best of blues and swing from the past century, reaching as far back as the thirties and taking in some of rock royalty from the early fifties. This week we’re snapping fingers and cutting the rug with some of the very greats including Wynonie Harris, Buddy Johnson, The Five Royales, The Cadillacs, and a touch of gospel vocal majesty from Marie Knight and Sister Rosetta Tharpe. The themes are wide-ranging, taking us from the woodshed to the urban streets and some Cadillac competitions and we’ll also get with the stuff that’s arrived and is oh so mellow. Night trains, sugar lumps, boogie woogie daddies and tall skinny papas rule the roost. Don’t miss out, even if you’re a night owl you’ll want to take these sounds with you into the early hours of tomorrow. Let me off uptown, would ya?

A curious theme, indeed! We’re talking ‘questions’, naturally. And don’t you think it’s time we got around to this theme? There was no shortage of ammunition…songs that end with that curly-que that has been the topic of many theories. One such theory suggests that it originate from the Latin word “quaestio” which, shortened to “qo”, would evolve into the symbol we recognize today. Each and every track in the show today delivers that terminating mark in search of an answer. We’ve heard of answer songs, but what about these question songs and most demand good answers because, well, they’re good questions. Jazz, country, rock ‘n roll, and everything in between with selections from The Lovin’ Spoonful, Dan Hicks, The Robins, Joe Liggins and Bo Diddley are just a sampling of the nearly three dozen songs with “good questions” theme. Where would we be without music? Don’ have that answer but I’m guessing I don’t want to know.

 It’s finger poppin’ time…time to have a blast with some breakout party rockers from the mid-century.  All for a good time with soul and roll and rhythm as the main course in today’s show. It's all about those percussive rocking beats. Call it a party full of boogie, mojo, twistin’ and shaking. We’ve lit the fuse for a dynamite celebration of rebellious rock and cool upbeat soul rhythms with the music of Freddy Cannon, The Swingin’ Medallions, The Showstoppers and Ann Cole with an out of control party mix…just in time for our first show of May. KOWS Community Radio brings the fresh sounds of today, yesterday and tomorrow 24/7, with the very best of political and community discourse. You can tune us in on 92.5 FM in West Sonoma County or just drop by our stream on your Radio Rethink app, Alexa, Radio Garden, Tunein, or Radio Box. We’re here for you and Deeper Roots will be pitching a wang dang doodle this coming Friday morning here on member-ed radio for planet Earth. 

This week‘s show brings us echoes of resistance from the past because there’s a storm brewing, stirring from the louder voices of people recognizing that fascism has settled in. People in this country are getting organized around a common anger that democracy and freedom is being taken from them. The political fortification led by Republican leadership co-opted by white nationalism and for the gestapo tactics must be held in check and the voices of the ballot box will be the final determination; that is, if there is time. Music this week features Roy Zimmerman, Billy Bragg, Woody Guthrie, Pete Seeger and a whole host of sounds from the past century whose musical voices raged when fascism and autocracy attempted to take hold. Money is the root of this evil, make no mistake. There is always hope, however, and we need to be here for each other while practicing self-care with family and friends. The storm clouds are now above us and it’s up to all of us. Now. Not later.

From a song about dirty little religions to a song about Joanie the Jehovah Witness Stripper, we’ll be going all out from up and down with genre celebrations from the past century where music reflects the inspiration from church on Sunday mornings following the barroom sinners of Saturday night. This week’s Deeper Roots takes a bit of a free form shuffle featuring Bo Diddley, The Ramones, Johnny Mercer, and a whole host of rhythm makers. Performances this morning will span some covers from Chris Smither, David Lindley and an answer song from Barbara Lewis. KOWS radio wants to thank all of you who came out to the Comedy fundraiser at Barrel Proof Lounge last week. It was a great success for us and also a validation of community radio here in the North Bay. KOWS is free form, free speech, no bull community radio; just the kind of thing we need in a country gone mad with lies, deceit and hate. There is always hope. Tune into your radio voice, any time of the day or night. We’ll always welcome you.!

 Every year about this time there’s a quick burst of blossom, a promise of renewal and that first pitch of the national pastime. I don’t know about you but it’s my favorite time of year, a time when winter’s cold is shut down and we’ve got that Spring Fever. This week’s show will take time out for a couple sets celebrating and ing baseball’s past through music with the likes of The Treniers, Danny Kaye, and Dr. John with some early rapping from Mel Allen of all people. And that’s just the half of it because the fever goes beyond the diamond: we’ll share songs of April love with Shirley Jones, Cherry Pink and Apple Blossom White with Perez Prado, Nina Simone, Martha Tilton, and a run of classic country with Johnny Horton, Sons of the Pioneers and the Sons of the San Joaquin. From stickball to kite-flying to the first frisbees of the year in the local park. Let’s get away from it all. 

The downstream wave of sounds that flooded the charts seemed endless in the year 1960. As was exhibited in last week’s Deeper Roots exhibition of ‘also rans’ from that year, it was a very, very crowded field. That field was spread far and wide across genres and levels of production, songwriting and performance quality. We take on that same strata this week in the show. More teen crushes, tragedies, soulful exchanges and instrumentals that bore earworms galore. That’s what we’ve got in store with performances from Fats to Jackie, Smokey to Etta, the Burnette Brothers and Ricky, Dean Martin, Freddie King and Linda Laurie…all giving it their all and doing their very best to crawl to the top of their respective charts. We’re getting ready for a wild Sunday night here in Santa Rosa, celebrating KOWS Community Radio at the Barrel Proof Lounge in downtown Santa Rosa. Hope you can make today’s Deeper Roots show and Sunday’s benefit!

 We’re at it again! Excavations below the crust of some pretty simple-minded teenage pap that seemed to occupy the Billboard Top 100 in the year 1960. Marketers had found the right blend of country, rhythm, pop, sentimentality and rock and this led to a churning out of as much and as they could as fast was possible. The result was a mixed bag:  quantity over quality in most cases. We call it spit-balling these days. We’ll dig into the substrate of popular music that did not make the Top 40, and in some cases, the Top 100. We’ll hear from Wanda Jackson, Billy Bland, Donnie Brooks, Johnny Preston, Esther Phillips, and a few dozen others in this week’s show. Not withstanding what we do here, we have to consistently remind ourselves of the classic Tony Soprano quote: “’ when’ is the lowest form of conversation.” So, we’re mining for the ones we don’t necessarily . And the big news? It’s a rare two-parts-over-two-weeks extravaganza. Hope you can in 

Spring is knock-knock-knocking…and our Supreme Court is push-push-pushing back on the idea of Emperor Grandpa McFuddlepants. And why not? They created it. But here, we’re busy painting the town with hope and there’s a sense that there’s something in the air as this week’s show leans on the fabric of Americana sounds to get us through yet another week of hate speech from Pennsylvania Avenue. We’ll apply an salve of sweet sounds from Jerry Garcia, Jackie Wilson, Townes Van Zandt, Billie Holiday, and that late local luminary and bard about town Dan Hicks in this week’s show. It’s a free form dance we’re taking on so I hope you make time or, if you can’t catch us live on KOWS, you can catch up on our archives posted on Podomatic at https://deeperroots.podomatic.com

There’s an echo in the well of Americana and it reverberates from tradition and some of the early songsmiths and blues masters who delivered the blues proper through the depths of the past century of America’s music. We’ll be pulling some of the classic blues covers of songs composed by just a small collection of the great blues masters: Charley Patton, Muddy Waters, Blind Lemon Jefferson, Lonnie Johnson, Blind Blake and beyond in this week’s episode. There is seldom enough time to make a dent in only two hours but we’ll do our best with covers from some of the inheritors like BB King, Carl Perkins, Bob Dylan, Jorma Kaukonen and a couple dozen others. We’re excavating some deeper roots this week and then tilling the airwaves with freshly turned songs of the earth; a landscape of blues cutting a deep swath across the musical landscape of the past 100 years. Celebrating blues and those who brought it home this week on KOWS Community Radio. 

We're revisiting a show from 2019 and it just happens to be our first show in the new Santa Rosa studios. It is one that celebrates that Old Chisholm Trail and other prairie ages that resemble all things that follow those romantic icons whose life on the range was less than what their songs usually embellish. In the western sunsets where John Lomax first went out in search of the ‘cowboy song’, we’ll explore more enlightened performances from the silver screen to the deep folk traditions that have become so laminated with romance that it’s hard to see the images beneath. This week’s show will take us from Carl T. Sprague, the original cowboy crooner, to Johnny Horton, Fess Parker, Rex Allen, and Roy Rogers. The music is sometimes sappy (Rick Nelson’s My Rifle, My Pony, and Me), sometimes light (Roy Rogers’ My Chickashay Girl), and other times full of storytelling and history. So many performances to light up the evening sky…just before dusk…just before that ceiling of stars appears in the night sky.

Country, gospel, and rhythm and blues are the major arteries that flow to the heart of Americana musical traditions, each influencing the other through shared themes of storytelling, emotion, and spirituality. Gospel’s uplifting harmonies and spiritual fervor inspired both the heartfelt narratives of country music and the soulful expressions of rhythm and blues. Similarly, rhythm and blues infused gospel energy into secular music, while country music borrowed melodic and vocal elements from both genres. The "golden age" of these genres is often considered to be the mid-20th century, roughly the 1940s through the 1960s, when their innovation and cross-pollination laid the groundwork for modern popular music, including rock and roll. This week on Deeper Roots we’re going to flip through some classic old records (as we love to do) and highlight the morning with performances from the likes of Otis Spann, Merle Travis, Sue Foley, Sturgill Simpson, and a few dozen others.

 He was a member of Nashville’s A-Team. He invented the electric guitar ‘fuzz’ effect by accident in a Marty Robbins recording session. He played on some of the most recognizable hit songs and landmark albums; not just country but rock, soul, folk, country rock and released some jazz guitar albums of his own. You can hear his work day in and day out: the Spanish-style acoustic work on Marty’s El Paso, the opening and unforgettable lick on Roy Orbison’s Oh Pretty Woman, plus dozens upon dozens more. He was one of the most sought after session men in the industry. Oh, and his jazz work with Mancini, Hirt and Fountain were followed by a gig as session leader for Vanguard Records’ album releases of Joan Baez, Buffy Sainte-Marie and Country Joe. If there’s a word that goes a step beyond prolific, it describes Grady Martin. us for a show that celebrates the legend. 

A sleepy time themed collection this week as we take a deep dive into classic sounds from the past and present, all with a blend of sentiments we hold close as midnight approaches. We’ll have some old doo wop and early rock chestnuts from Jesse Belvin, The Fleetwoods, The Valentines and The Spaniels with just the right amount of rock, R&B and country. That means a little bit of Fats Domino, some rockabilly from Charline Arthur and Sonny Burgess, middling pop from Doris Day, Jimmy Durant and Dean Martin in store. Little Jimmy Dickens, Milton Brown and Swamp Dogg will also fill the air with country and blues. Friday mornings are the time to tune in for a fresh dose of America’s music from the past 100 years hear on KOWS-LP, Occidental, streaming to all of Planet Earth on kowsfm.com/listen. Be sure to install the Radio Rethink app on your Apple device and look us up. We’d be glad to have you.

It was without question a natural progression. All of the attributes that country inherited from gospel, blues, and jazz resulted in what amounted to competition in the charts (and in some mid-century cultural clashes). Although The Beatles had suggested a kinship with mid-sixties tributes to Buck Owens and Chet Atkins, the only comfortable way to make the marriage work was to have it come from other directions…specifically from cultural prods of Nudie suits, coupled with folk and country nudges, and the inevitable respect for the music. Gram Parsons’ influence on the late sixties rise of something they called ‘country rock’ is easy to find but Dylan’s John Wesley Harding album from 1968, The Byrds’ Sweetheart of the Rodeo, and Leon Russell’s alter-ego Hank Wilson opened the doors to a sound that swept the charts. We’ll hear some originals, covers, and a whole lot more in this week’s Deeper Roots. Hope y’all can us.

While we often touch on the contemporary songs of our own and subsequent generations in the show, we also like to drill into the performers and sounds that contributed to our musical heritage. The foundation of America’s music is not just a single flavor. It is a melting pot of many from all corners: the British Isles, the African continent, the islands of the Caribbean, and points south and north. The resulting harmonies, topics, and musical celebrations have further woven themselves into the fabric of our culture. This week’s show leans on some pieces that were suggested by a listener and this allowed me to take liberties when digging a bit deeper for the show. We’ll hear from Pete Seeger, The Million Dollar Quartet, Buck Owens, Alison Krauss and Mississippi Fred McDowell. We’ll also take in the American Songbag’s In The Pines and then proceed down the river and over the hill in the show this week.

This week we’ll take some time away for a celebration of Americana sounds from every corner. It’s a mixed bag of jazz, blues, country, rock, and everything in between in another of our free form eclectic romps here on Deeper Roots. Count on some wild swings and some quiet moments reserved for the corner booth in the show today. Aretha, Cat Power, Etta Jones and Gale Garnett are some of the female vocalists that we’ll feature this morning. We’ll also visit that ‘boulevard of broken dreams’ with Esquivel, some lighter instrumentals from Ethel Smith and Herb Alpert; classic softer side Americana from Chris Isaak and Pokey LaFarge and the polar opposite from Creedence and BB King. What a way to blast on into 2025. Dave Stroud as he begins yet another year with the promise of doing the right thing...always. 

It’s our annual look back paying respect to some of the greats who we lost this past year. We find ourselves saying goodbye to a number of artists who contributed in their own way to America’s popular culture…in music. I’ll be sharing the names of the many contributors from the halls of country, jazz, pop, rock, and beyond. Time demands a filter which is based on direct lines of roots descent; either by song selection, expression of a genre, or by Americana popular cultural influence. I’m going to try to keep the talk to a minimum so I can catch you up on many of the artists…and I’m also going to be limiting some of the music to 30 second clips because, frankly…this was another year of loss. ….and I’m sure there are more of the obscure that we just couldn’t fit into our roll call. Tune in for a journey through the past century of America’s music on community radio for West Sonoma Country, streaming to all of planet Earth at the same time on kowsfm.com/listen. We’d love to have you.

Time keeps on slippin’, slippin’, slippin’ into the future…and it’s tickin’ tickin’ tickin’, too. Steve Miller certainly summed it up and our theme this week is all about the ing of time, events that take place in time, biding our time, and recalling a time. We’ll be making a swing through a number of genres and performers including Little Joe, Booker T., Bobby Bare, Evie Sands, Tom Waits and Harry James. But there’s plenty more including classic country, mid-to-late century rock n’ roll, folkie business, and the sweet torch songs that take us back. We’ve chosen to forego the Christmas celebrations because, for the most part, we can hear it elsewhere and the season is a short one with some desperation on the doorstep. Tune in for a journey through the past century of America’s music on community radio for West Sonoma Country, streaming to all of planet Earth at the same time on kowsfm.com/listen. We’d love to have you. 

On this Friday the 13th, our show takes on the constructs of heaven and hell as its chosen theme. Songs that explore the debatable and sometimes fantastical concepts that, while they vary significantly across cultures and tradition, still remain human constructs rather than universal truths. Or are they? I sure don’t know and I doubt that you do. They have no doubt been formed as symbolic or metaphorical ideas formulated to help humankind find a straight path to that ‘great morning’…or something like that anyway. We’re not here to practice heresy or blasphemy, only to observe…and there’s plenty of music to call this theme one of mixed metaphors. Tune in for some Sister Rosetta Tharpe, Eric Clapton, Solomon Burke, Bill Neely and a whole crowd of other sinners and saints pounding out the concepts of heaven and hell in song with melodies both fierce and solemn. Tune in for quite the time.